Two murders are committed in an inn for the possession of a bag containing a fortune.

Mirandolina is the mistress of a small Florentine hotel. An attractive and intelligent young woman easily manipulates the hotel guests.

A television reporter investigates a small town's dark secret.

Susan and Mark move to a seaside town to buy an old house and open an inn. They came to look at one house, but Susan is inexplicably drawn to another. The house is high on a cliff overlooking a lonely beach. Something eerie is going on. A scary black dog appears. One strange guest stays at the inn. Susan finds letters in the attic written long ago by a wife who was terrified of something.

Second part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Preceded by An Opera of Violence; followed by Something to Do With Death.)

An egg-sorting woman shrugs off even the appearance of Christ. From Isaak Babel story.

Posy Pinkerton needs to step out of her shell. For this late-20s serial monogamist, life has been smooth sailing. She's got Tom, her doctor fiancé; her burgeoning career as a medical illustrator and a side hobby as a visual artist. But after a chance encounter with Jack, a handsome and worldly businessman, Posy's shell begins to crack. She finds him mysterious and he finds her charming, and for Posy it is an opportunity to try on confidence for size. Posy is reluctant to take it any further than petty flirting, but her cousin Laura, her polar opposite, pushes her for one last fling before settling down with Tom, her one and only. Posy's growing desire to break free allows her to exercise her inner self with Jack, an alter ego she's created called the Queen of Sin. Little does Posy know, as she's being swept up by Jack, she's really making a deal with the devil.

A hard-working woman trying to support her family and working at a menial, low-paying job falls for a low-life and before she knows it, he has her working as a prostitute in a bordello.

It tells the inspiring story of Juan Dávila. At the age of 32, he left his steady job as a municipal police officer to devote himself to show business. Thus began a ten-year journey performing in bars, squares, variety halls, and some theaters. A journey in which he started a theater company (Improclan) where he brought together people who, like him, were looking for their niche as comedians.

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